The “Graphic Chronologies” section was on display at the 11th International Istanbul Biennial, “What Keeps Mankind Alive?” Curated by the WHW collective.
Photographs by Nathalie Barki, Ilgin Erarslan and Maria Hakim.
The “Graphic Chronologies” section was on display at the 11th International Istanbul Biennial, “What Keeps Mankind Alive?” Curated by the WHW collective.
Photographs by Nathalie Barki, Ilgin Erarslan and Maria Hakim.
Signs of Conflict exhibition traces the deployment of political discourse in visual culture characteristic of Lebanon’s wartime conflict(s). It examines the political posters that were produced by the various warring factions, political parties and movements in Lebanon between 1975 and 1990. It is premised upon the idea that the posters unfold the narratives of the prevailing political conflicts while providing insights into modern Arab visual culture.
Lebanon’s civil war is a complex case where local socio-economic and sectarian struggles, linked with regional politics, characterized political discourses and distinguished the numerous warring factions. That, in turn, materialized in the production of an equally complex plethora of political posters, with antagonistic discursive frameworks, conflicting significations, as well as distinct aesthetic practices.